'Rise like Lions after slumber
In unvanquishable number -
Shake your chains to earth like dew
Which in sleep had fallen on you -
Ye are many - they are few.'
Percy Shelley
The Mask of Anarchism
Wednesday, January 11, 2012
Wednesday, September 14, 2011
a moment of silence - Emmanuel Ortiz
Before I start this poem,
I’d like to ask you to join me
In a moment of silence
In honor of those who died in the World Trade Center and the Pentagon last September 11th.
I’d like to ask you to join me
In a moment of silence
In honor of those who died in the World Trade Center and the Pentagon last September 11th.
I would also like to ask you
To offer up a moment of silence
For all of those who have been harassed, imprisoned,
disappeared, tortured, raped, or killed in retaliation for those strikes
For the victims in both Afghanistan and the U.S.
To offer up a moment of silence
For all of those who have been harassed, imprisoned,
disappeared, tortured, raped, or killed in retaliation for those strikes
For the victims in both Afghanistan and the U.S.
And if I could just add one more thing…
A full day of silence
For the tens of thousands of Palestinians who have died at the hands of U.S.-backed Israeli forces over decades of occupation.
A full day of silence
For the tens of thousands of Palestinians who have died at the hands of U.S.-backed Israeli forces over decades of occupation.
Six months of silence for the million and-a-half Iraqi people, mostly children, who have died of malnourishment or starvation as a result of an 11-year U.S. embargo against the country.
Before I begin this poem,
Two months of silence for the Blacks under Apartheid in South Africa,
Where homeland security made them aliens in their own country.
Nine months of silence for the dead in Hiroshima and Nagasaki,
Where death rained down and peeled back every layer of
concrete, steel, earth and skin
And the survivors went on as if alive.
Two months of silence for the Blacks under Apartheid in South Africa,
Where homeland security made them aliens in their own country.
Nine months of silence for the dead in Hiroshima and Nagasaki,
Where death rained down and peeled back every layer of
concrete, steel, earth and skin
And the survivors went on as if alive.
A year of silence for the millions of dead in Vietnam – a people, not a war – for those who know a thing or two about the scent of burning fuel, their relatives’ bones buried in it, their babies born of it.
A year of silence for the dead in Cambodia and Laos, victims of a secret war … ssssshhhhhhh…
Say nothing
we don’t want them to learn that they are dead.
Two months of silence for the decades of dead in Colombia,
Whose names, like the corpses they once represented,
have piled up and slipped off our tongues.
Before I begin this poem.
An hour of silence for El Salvador …
An afternoon of silence for Nicaragua …
Two days of silence for the Guatemaltecos …
None of whom ever knew a moment of peace in their living years.
45 seconds of silence for the 45 dead at Acteal, Chiapas
An hour of silence for El Salvador …
An afternoon of silence for Nicaragua …
Two days of silence for the Guatemaltecos …
None of whom ever knew a moment of peace in their living years.
45 seconds of silence for the 45 dead at Acteal, Chiapas
25 years of silence for the hundred million Africans who found their
graves far deeper in the ocean than any building could poke into the
sky.
There will be no DNA testing or dental records to identify their remains.
And for those who were strung and swung from the heights of sycamore trees in the south, the north, the east, and the west…
There will be no DNA testing or dental records to identify their remains.
And for those who were strung and swung from the heights of sycamore trees in the south, the north, the east, and the west…
100 years of silence…
For the hundreds of millions of Indigenous peoples from this half of right here,
Whose land and lives were stolen,
In postcard-perfect plots like Pine Ridge, Wounded Knee, Sand Creek, Fallen Timbers, or the Trail of Tears.
Names now reduced to innocuous magnetic poetry on the refrigerator of our consciousness …
For the hundreds of millions of Indigenous peoples from this half of right here,
Whose land and lives were stolen,
In postcard-perfect plots like Pine Ridge, Wounded Knee, Sand Creek, Fallen Timbers, or the Trail of Tears.
Names now reduced to innocuous magnetic poetry on the refrigerator of our consciousness …
So you want a moment of silence?
And we are all left speechless
Our tongues snatched from our mouths
Our eyes stapled shut
A moment of silence
And the poets have all been laid to rest
The drums disintegrating into dust.
And we are all left speechless
Our tongues snatched from our mouths
Our eyes stapled shut
A moment of silence
And the poets have all been laid to rest
The drums disintegrating into dust.
Before I begin this poem,
You want a moment of silence
You mourn now as if the world will never be the same
And the rest of us hope to hell it won’t be.
Not like it always has been.
You want a moment of silence
You mourn now as if the world will never be the same
And the rest of us hope to hell it won’t be.
Not like it always has been.
Because this is not a 9/11 poem.
This is a 9/10 poem,
It is a 9/9 poem,
A 9/8 poem,
A 9/7 poem
This is a 1492 poem.
This is a 9/10 poem,
It is a 9/9 poem,
A 9/8 poem,
A 9/7 poem
This is a 1492 poem.
This is a poem about what causes poems like this to be written.
And if this is a 9/11 poem, then:
This is a September 11th poem for Chile, 1971.
This is a September 12th poem for Steven Biko in South Africa, 1977.
This is a September 13th poem for the brothers at Attica Prison, New York, 1971.
This is a September 14th poem for Somalia, 1992.
And if this is a 9/11 poem, then:
This is a September 11th poem for Chile, 1971.
This is a September 12th poem for Steven Biko in South Africa, 1977.
This is a September 13th poem for the brothers at Attica Prison, New York, 1971.
This is a September 14th poem for Somalia, 1992.
This is a poem for every date that falls to the ground in ashes
This is a poem for the 110 stories that were never told
The 110 stories that history chose not to write in textbooks
The 110 stories that CNN, BBC, The New York Times, and Newsweek ignored.
This is a poem for interrupting this program.
And still you want a moment of silence for your dead?
We could give you lifetimes of empty:
The unmarked graves
The lost languages
The uprooted trees and histories
The dead stares on the faces of nameless children
We could give you lifetimes of empty:
The unmarked graves
The lost languages
The uprooted trees and histories
The dead stares on the faces of nameless children
Before I start this poem we could be silent forever
Or just long enough to hunger,
For the dust to bury us
And you would still ask us
For more of our silence.
If you want a moment of silence
Then stop the oil pumps
Turn off the engines and the televisions
Sink the cruise ships
Crash the stock markets
Unplug the marquee lights,
Delete the instant messages,
Derail the trains, the light rail transit.
Then stop the oil pumps
Turn off the engines and the televisions
Sink the cruise ships
Crash the stock markets
Unplug the marquee lights,
Delete the instant messages,
Derail the trains, the light rail transit.
If you want a moment of silence, put a brick through the window of Taco Bell,
And pay the workers for wages lost.
Tear down the liquor stores,
The townhouses, the White Houses, the jailhouses, the
Penthouses and the Playboys.
And pay the workers for wages lost.
Tear down the liquor stores,
The townhouses, the White Houses, the jailhouses, the
Penthouses and the Playboys.
If you want a moment of silence,
Then take it
On Super Bowl Sunday,
The Fourth of July
During Dayton’s 13 hour sale
Or the next time your white guilt fills the room where my beautiful people have gathered.
Then take it
On Super Bowl Sunday,
The Fourth of July
During Dayton’s 13 hour sale
Or the next time your white guilt fills the room where my beautiful people have gathered.
You want a moment of silence
Then take it NOW,
Before this poem begins.
Here, in the echo of my voice,
In the pause between goosesteps of the second hand,
In the space between bodies in embrace,
Here is your silence,
Take it.
Then take it NOW,
Before this poem begins.
Here, in the echo of my voice,
In the pause between goosesteps of the second hand,
In the space between bodies in embrace,
Here is your silence,
Take it.
But take it all…
Don’t cut in line.
Let your silence begin at the beginning of crime.
But we,
Tonight we will keep right on singing
For our dead.
Emmanuel Ortiz is a third-generation Chicano/Puerto
Rican/Irish-American community organizer and spoken word poet residing
in Minneapolis, MN. He currently serves on the board of directors for
the Minnesota Spoken Word Association, and is the coordinator of
Guerrilla Wordfare, a Twin Cities-based grassroots project bringing
together artists of color to address socio-political issues and raise
funds for progressive organizing in communities of color through art as a
tool of social change.
Sunday, July 24, 2011
Do not stand at my grave and weep
I am not there. I do not sleep.
I am a thousand winds that blow.
I am the diamond glints on snow.
I am the sunlight on ripened grain.
...I am the gentle autumn rain.
When you wake in the morning's hush
I am the swift uplifting rush
of quiet birds circled in flight.
I am the soft stars that shine at night.
Do not stand at my grave and cry;
I am not there. I did not die.
Anonymous
Saturday, July 9, 2011
the well of grief - david whyte
Those who will not slip beneath
the still surface on the well of grief,
turning downwards through its black waters
to a place we can not breathe...
They will not find the source from which we drink.
The secret water; clean and clear.
Nor will they find in its darkness, glimmering,
the small round coins
thrown by those who wished for something else.
the still surface on the well of grief,
turning downwards through its black waters
to a place we can not breathe...
They will not find the source from which we drink.
The secret water; clean and clear.
Nor will they find in its darkness, glimmering,
the small round coins
thrown by those who wished for something else.
Monday, May 16, 2011
Song of myself (extract) Walt Whitman (1855)
I have heard what the talkers were talking,
The talk of the beginning
and the end.
But I do not talk of the beginning
or the end.
There was never anymore beginning
than there are now,
Nor any more youth or age
than there is now,
And never be any more perfection
than there is now,
Nor any more heaven or hell
than there is now.
Clear and sweet is my soul,
And clear and sweet is all that is not my soul.
I welcome every organ and attribute of me
Not an inch,
Not a particle of an inch is vile to me.
I am satisfied –
I see, I dance, I laugh, I sing!
I will go to the bank of the river in the woods
And become undisguised and naked,
I am mad for it all to embrace me.
I am obsessed with the agony and ecstasy of this life!
It all amazes me!
The talk of the beginning
and the end.
But I do not talk of the beginning
or the end.
There was never anymore beginning
than there are now,
Nor any more youth or age
than there is now,
And never be any more perfection
than there is now,
Nor any more heaven or hell
than there is now.
Clear and sweet is my soul,
And clear and sweet is all that is not my soul.
I welcome every organ and attribute of me
Not an inch,
Not a particle of an inch is vile to me.
I am satisfied –
I see, I dance, I laugh, I sing!
I will go to the bank of the river in the woods
And become undisguised and naked,
I am mad for it all to embrace me.
I am obsessed with the agony and ecstasy of this life!
It all amazes me!
Thursday, April 7, 2011
The honeycomb - Pauline Stainer
They had made love early in the high bed,
not knowing the honeycomb stretched
between lathe and plaster of the outer wall.
For a century
the bees had wintered there,
prisoning sugar in the virgin wax.
At times of transition,
spring and autumn,
their vibration swelled the room.
Laying his hand against the plaster
in the May sunrise,
he felt faint frequency of their arousal,
Nor winters later, burning the beeswax candle,
could he forget his tremulous first loving
into the humming dawn.
Pauline Stainer
not knowing the honeycomb stretched
between lathe and plaster of the outer wall.
For a century
the bees had wintered there,
prisoning sugar in the virgin wax.
At times of transition,
spring and autumn,
their vibration swelled the room.
Laying his hand against the plaster
in the May sunrise,
he felt faint frequency of their arousal,
Nor winters later, burning the beeswax candle,
could he forget his tremulous first loving
into the humming dawn.
Pauline Stainer
Wednesday, March 23, 2011
DH Lawrence - the glass bottles of our ego
When we get out of the glass bottles of our ego and when we escape like squirrels turning in the cages of our personality and get into the forests again, we shall shiver with cold and fright but things will happen to us so that we don't know ourselves. Cool, unlying life will rush in, and passion will make our bodies taut with power we shall stamp our feet with new power and old things will fall down, we shall laugh, and institutions will curl up like burnt paper.
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